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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist that is trying to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is the ideal mixture of smart-aleck maturity and youthful innocence. Articulating the big words slowly and thoroughly with simply a hint of childishness, Woodman endearingly conveys the voice of an child who is attempting desperately to sound like an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety on the imaginative and captivating plot, nonetheless they don't translate quite as seamlessly into audio format. Ferrone's wistful growl is perfect for your voice of an man who can don't speak, but as the listener actually gets to listen to the words that this character can only convey by writing on the notepad, his frustrating silence is less profound. Caruso's brilliant performance as an adoring grandmother can also be noteworthy, though the meandering stream-of-consciousness type of her and Ferrone's sections are sometimes hard to check out on audio. Although it is Oskar's poignant, laugh-out-loud narration that make this audio production indispensable.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Adult/High School-Oskar Schell isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. Also, he collects random photographs for his scrapbook and sends letters to scientists. When his father dies within the World Trade Center collapse, Oskar shifts his boundless energy to your search for answers. He finds an important hidden in the father's issues that doesn't fit any lock inside their The big apple City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to talk to everyone in The big apple City with the last name of Black. A retired journalist who keeps a card catalog with entries for anyone he's ever met is just one with the colorful characters the boy meets. Such as Things Are Illuminated (Houghton, 2002), Foer has a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with all the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the World War II bombing of Dresden. Although this story is nearly as evocative as Oskar's, it lets you do carry forward and connect firmly on the rest from the novel. The two stories finally intersect in a powerful conclusion that can make even one from the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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